Victoria Ekelund Fine Art
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Ira's Truck or Pearl Street Alley

by Victoria Morris Ekelund on 8/6/2010 11:22:52 AM
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 I think this painting is now ready for critique. I know Kevin will give me the feedback I need to take it that much further. I have discovered working on these alley's that I can only get so far and then I am "done" with them for awhile. I thought it was the size of them, but I have done two 18x24 alley's now, and I am running into the same problem on them.  I must need time to let them grow on me so I can take them further. I am usually very excited at the block in stage, then the drudgery sets in and I get bored. I had to "sit" on this one for almost a month before I figured out what was bugging me, and that was with the help of one of my friends. She suggested I lighten the roof on the right; that led me to the trees in the middle behind all the garages, which I also lightened. I darkened the house at the very end of the alley to let the brightness of the bush in front of it be in the light and to continue the eye flow. I know Kevin will tell me I have too much detail, although I did try to reign myself in. I will do a follow up post after class tomorrow if we get a chance to critique.

I had taken this painting back to alley where I took this photo reference to try and figure some of this out "on-site." I had intended to paint there, but this is a surprisingly busy alley and a narrow one as well. There was no way I could set up and do any painting and keep the same angle. I was up against the wall of a carriage house when I took this photo. This is morning light, and the painting is 20"x 30."

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Alley in Spring

by Victoria Morris Ekelund on 6/5/2010 11:14:21 AM
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On the left is my studio painting that I recently finished from the study on the right. I had both hanging at Bell Gallery for my opening there the first Friday of May. I hadn't realized that I had not posted the finished studio piece. My artist friends comments from the opening were unanimous: the studio painting was liked better than the plein air. And usually, it is the other way around-artists normally like the freshness of the plein air. That may have something to do with the fact that I know in my mind what I am looking to do when painting outside, but I don't have the time to get there. (and I also have a hard time keeping my lights clean, though I am working on that) And then I take that direction with me back to the studio using the study as the skeleton on which to build from. I added the dog, Pearl, who belongs to the people who live nearby. They came walking up the alley while I was painting and I hastily took a few quick photos; only one dog really was worth putting in, as the owner and the other dog ended up behind the dumpster. They are going to buy the study. I am thinking I should add Pearl to the larger piece as well. What do you think? She is definitely a dog with  'tude.


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Work in Progress-Platte Park Alley

by Victoria Morris Ekelund on 6/3/2010 10:56:16 AM
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Accepted Entry for 2010 National OPA show (Oil Painters of America)

by Victoria Morris Ekelund on 2/27/2010 9:47:18 AM
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The above painting was accepted into the OPA National Juried show that will be held this year at the Legacy Gallery in Scottsdale, AZ. I have been a member of OPA for about 6 years; this is the second time I have submitted to one of their shows. I was rejected from a regional show a few years ago, so I did not expect to get into the National show. So right now I will have High, Wide and Lonesome starting on a national tour begining in Oklahoma next month with the Paint America 100 show, two plein air paintings going to the Nomades del Artes show at Southwest Gallery in Dallas, TX, opening April 2 and this one to AZ opening the end of April. This all started because I read one of those short artist spotlight articles and the artist said his one regret was not submitting to national juried shows sooner. So here I am, starting to submit to more national juried shows. It takes time and energy and effort, not to mention having a body of work to choose from, all of which are in rather short supply with this particular artist. But as a friend of mine at my day job says "baby steps."

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Let the Painting Begin

by Victoria Morris Ekelund on 2/14/2010 1:05:31 PM
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I finished blocking in this painting yesterday; it is 3o x 40 which is ambitious for me. This is being done from photo reference and the painting I did a few weeks ago: Alley Scene off Harvard Gulch Park. I have not touched the original alla prima painting wanting to keep the freshness of the brushstrokes and the angles I played with. I must remember to keep that going in this piece; my husband had to remind me to knock the telephone poles off kilter, which you can see I did do, but I think they may need a bit more of an angle. I am going to try and post photos of the progression of this piece as I paint it.


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Recycling anyone?

by Victoria Morris Ekelund on 2/9/2010 9:53:17 PM
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 What made me want to paint a brown paper shopping bag you may ask. While sitting in the Saturday class a month ago, Kevin was telling us the next assignment; to paint a large field of one thing and try to make it interesting. His examples were painting a landscape where the majority of the painting is just a field; or take the side of a building, but make it the major force of the composition. Paint this large expanse of one color and make it interesting. Sitting on the floor while this was going on was a chiptole burrito take out bag, which, if you are not aware, is a more vertical brown paper bag with black graphics and a handle on it much like this one. The juxtaposition of the bag and where it was on the floor and the lighting made me think, why not paint a paper bag? All one color and a large field with the handle to break up the space with good shapes. BUT, once I got started, I realized there really were too many plane shifts on this bag to fit the assignment. It is not yet finished, as I want to put the logo on it - a clothing store. I have no idea where I got this bag, but it sure was a fun project. And there is so much variation in color in just a "brown" paper bag! Painting is always an adventure.


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High, Wide and Lonesome is moving on

by Victoria Morris Ekelund on 12/4/2009 7:02:25 PM
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I finally am ready to send this painting in to the juried show, Paint America. Since they only accept 100 paintings into this show, the probability of being accepted is not high, but if I don't try, the answer is surely no. It has been widely exclaimed over by those who have seen it. I have taken it in twice to be critiqued and thus, reworked. I am ready to see the end of it for awhile at this point and I will have just made the deadline for posting in the mail.
The last critique had me lightening and simplifying the road, again.

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